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Painted in 1966
the dark centres anchoring each bloom
The iridescent green and purple of the head
the columnar stamen
A winter valley view from an elevated vantage — forested ridges receding into a purple-grey cloud bank
Snowy Owl Portrait — Gallery Canvas Square Painted in 1966A Snowy Owl portrait the bird filling the frame, turned three quarters, the yellow eyes compelling and direct. The white plumage is rendered with the fine brush discipline that Glen brought to all his owl portraits: every feather an individual mark, the subtle barring that indicates a female bird rendered without overstating it, the facial disc and bill precisely placed. This is the Snowy Owl as a presence rather than as a landscape element. Where the
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