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Raphael Liogier
the retrograde moral perspective represented by the characters
000- is second only to US churches
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Mead’s Mind
Fragment, Image, and Absence in 1960s Japan Susan Saliba Raphael LiogierThis groundbreaking book examines how the notion of "the object" was transformed in Japanese experimental art during a time of rapid social, economic, and environmental change. Reviving the legacies of the historical avant garde, Japanese artists and intellectuals of the 1960s formulated an aesthetics of disaffection through which they sought to address the stalemate of political and aesthetic representation. Ignacio A. Adriasola Munoz draws from
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