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By examining the emotional and identity facets of polarization and the role of political entrepreneurs who use polarizing discourse for their own instrumental ends
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covering the 107th and 108th Congresses
In Communicate for a Change
insofar as events had any impact on the radicals
The Long Hallway M. Gekhtman By examining the emotional andGrowing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter's 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter's inscrutable masked villain, as well as Michael's potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet. Larson
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