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yet the man behind the camera always remained enigmatic
were the subjects of the first book in her ongoing series
a chaotic industrialisation campaign meant to transform China from an agrarian economy to a new communist regime rooted in industry and large-scale agricultural production led to the deadliest famine of human history
which my mother sometimes mentioned
” “Japan
ONE YEAR IN YANGON 1978 (Gold Edition) yet the man behind theThe images in ONE YEAR IN YANGON 1978 were taken by various photo studios in downtown Yangon, including Bellay Photo Studio, run by Har Si Yone, Central Studio, Queen Studio, Latha Studio and others whose names can no longer be traced. All images in the book are part of the Myanmar Photo Archive, focusing on photographic practise by Burmese photographers during and after the colonial period. 364 Portraits taken in 1978. Specifications Publisher:
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