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Keiji Haino and SUMAC met up in Tokyo’s Goksound recording studio to track a series of unrehearsed
A life-affirming
inexpensive devices then known as "microcomputers" equipped with "memory" to be used in live performances and installations
This was the first time we’d ever played a note of music that was using someone else’s money
Some were quite amusing -- I remember one in particular
Magma – Mekanïk Destruktïw Kommandöh [USED LP] Contemporary / Classical / Modern Composition Keiji Haino and SUMAC metthe big one from the french prog geniuses. speculative art music set to rock epics, jettisoning the earlier jazz infusions of their work for hardline rhythmic assaults & electric shock hymns. still baffling 50 years on! A&M, 1973
